
February 21-23
Ahmad Jamal
7:00 and 9:30
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A true American original: jazz piano legend Ahmad Jamal returns to the Dakota for six shows!
“…his playing is as sensitive, as passionate and as hypnotic as it’s ever been. –Marc Meyers, All About Jazz
Ahmad Jamal is one of the most distinctive and influential pianists in jazz history. His use of space and ability to create moments of tension and release through dynamics are trademarks of his style. Jamal’s elegant touch, muscular and lissome, is instantly recognizable, and his classic “Poinciana” has become a major landmark in the history of jazz and popular music.
Jamal was raised in Pittsburgh, a city revered for its rich musical heritage and home to such jazz luminaries as Errol Garner and Billy Eckstine. (As a boy, Jamal delivered papers to Billy Strayhorn’s family!) He got his first piano job with the George Hudson Orchestra at the age of 17, and began his recording career in 1951. Jamal’s early records had an impact on a young Miles Davis, who insisted that pianist Red Garland sound like him on his classic Quintet recordings from the 1950s. The Davis recordings also feature some early Jamal originals, “New Rhumba” and “Ahmad’s Blues.”
So much more than “the guy who influenced Miles,” Jamal has evolved the piano trio into a single telepathic entity with graceful synergy, and has done so without compromising or losing his musical identity. Jamal’s technique is dazzling, and few pianists can deliver a ballad with the same understated ease he has.
“Ahmad Jamal must be, to a listener unfamiliar with his music, a revelation. Even to those who know his music, each performance comes as a fresh and exciting discovery.” Simon Jay Harper, All About Jazz
“I can think of only one other artist in jazz music I could mention in the same category of awesomeness, Duke Ellington, and he needed sixteen people. Mr. Jamal does it with three guys.” Monty Alexander
Music critic Stanley Crouch consider’s Mr. Jamal’s distinctive style as having had an influence on the same level as “Jelly Roll Morton, Fletcher Henderson, Duke Ellington, Art Tatum, Count Basie, Thelonious Monk, Horace Silver and John Lewis, all thinkers whose wrestling with form and content influenced the shape and texture of the music, and whose ensembles were models of their music visions.”